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Italian Early Renaissance Painter, ca.1430-1495
He produced many large, multi-partite altarpieces in which his highly charged, emotional use of line, delight in detail, decoration and citric colours, often set against a gold ground, convey an intensity of expression unequalled elsewhere in Italy. His mastery of perspective was also used for dramatic impact. As he worked in isolation in the Marches, his style only had local influence. In the 19th century,
Virgin and Child dfg
1490s
Tempera on panel
Victoria and Albert Museum, London
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